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A (Very) Brief HistoryShareshill Church is a Grade 2 * Listed building on account of the 13th century sandstone tower from a previous church, with a rare, Georgian nave with curved sanctuary built on.
The Georgian interior is about 260 years old. The building has exceptional acoustic qualities and is a venue for several concerts each year, (see our "Events" page).
The church has also been used by the Chase Orpheous Choir to record CDs, and by the BBC's "Songs of Praise"
The East end of the nave.
This picture shows the giant "angel" paper sculptures that were made for the Flower Festival
View of the Gallery prior to rebuild
and re-siting of the organ
View of the Gallery as it is today.
The sandstone tower was built in the 13th century. The stone is very soft and has needed a lot of expensive restoration.
The outside of the tower bears a number of interesting marks. On the south side (to the left of the church door) there are a number of marks made by musket balls. The webmaster has been informed that this was the result of a civil War skirmish which passed through the village, ending a few miles away at Tong Church.
Beneath these, and around the north side of the tower are "sharpening marks"; believed to have been made in medieval times by people sharpening arrow heads, in the days when practising your archery skills was compulsory for men of fighting age.
Many years ago someone had the bright idea of putting a window into the vestry at the base of the tower (see photo at the top of this page). This meant having to effectively remove the bottom section of the "spiral" tower stairs and replace them with the external stairs up to the bell ringing chamber.
Going up these steps and through the ringing chamber was the only way to get the balcony area until the recent extension was built. This was particularly awkward when the organist had to get past bell ringers to reach the organ; and somewhat dodgy in winter!
The stairs inside the tower were designed for 13th century people who were shorter, narrower and had smaller feet!. As you reach the clock chamber you have to duck to avoid banging your head - it may be soft sandstone but it still feels pretty hard!
The photograph on the right gives gives little impression of how difficult the stairs are. It was taken with a flash so you cannot appreciate the experience of feeling your way up, torch in hand!
|The peal of six bells was given by Augustus Leveson Vernon, High Sheriff of Staffordshire, in 1899.
The bells were last re-cast in 1976 by theJohn Taylor foundry in Loughborough
The bells are in regular use and can also be "played" without being swung using a system of ropes and pulley with hammers attached. Being limited to just 6 notes requires some tunes to be creatively re-arranged.
The data in black on the right is taken from a chart hanging in the bell ringing chamber.
Metric conversions are to the nearest whole unit.
|There have been many loyal and regular ringers over the years. Of particular note are father and son Harry Butler (senior) and Harry Butler (junior); whose dedication is recorded in plaques on the wall of the ringing chamber.|
The primative weight-driven clock chimes on the hour. Despite it's crude construction it keeps remarkably good time.
The drum on the left of the photograph carries the cable and weight that drives the time mechanism. To the right, with a cable running diagonally downwards, is the drum for the strike mechanism.
|Early in January 2006 a broken tooth on one of the cog wheels neccessistated removing the mechanism for repairs. To prevent future problems several new gears were made.|
The picture on the left shows Paul Adams making adjustments following re-installation. Paul was assisted by his father, George Adams, and by Shareshill webmaster, John Taylor.
|Shareshill Church's main musical claim to fame is the connection with Frances Ridley Havergal, the hymn writer. |
Her father, Henry William Havergal was the "perpetual curate" in Shareshill.
It is therefore not surprising that Shareshill's CE primary school is called "Havergal".
Frances Ridley Havergal's most famous hymn,"Take my life and let it be" has been adopted as the village school's special hymn.
Here are two items in the church dating back to their time in Shareshill.
On the left is a photograph of the charity board, which is visible in the view of the west end of the nave.
It lists old charities that have lapsed, much to the disappointment of W.H. Havergal.
This document, known as a "Terrier" was found recently.
It lists the fees levied by the church for various services such as burials, headstones, the "Churching of a woman on a Sunday" (following childbirth) etc.
The charges are of course in Pounds, Shillings and Pence. Fees payable to the minister are in the left of the two columns, the shorter right hand column shows the fees payable to the church warden.
It ends with the declaration that burial fees are doubled for non-residents.
There are three other boards on the walls.
The Ten Commandments board was designed by Gilbert Barrows Sully on April 6th 1903. At the time he was based in Chiswick as an architect's designer. We know this because we were recently contacted by his great grandson, Pete Hambrook of Sullys Framing
Pete came across the original drawings and sent us a picture.
Judging from similarities in design it would be reasonable to suppose that he also designed the Creed and Lord's Prayer boards.
This appears to be a quotation from the Old Testament book of Micah, chapter 6 verse 8